Amy Ponds of the 99% (
allchildren) wrote2010-04-18 10:37 pm
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on ship-shaming and watching things wrong
[please do not link in comms/newsletters]
Ship-shaming (and the larger issue of You're Watching It Wrong) comes in many forms. Serious/true/adult/smart/rightheaded/unentitled[/ungirly?] fans don't ship, or ship contrarily to canon. As we proceed please watch out for falling blocks of sarcastic rage.
There was my favorite in Harry Potter and later Battlestar Galactica fandoms: "I don't care who ends up with who because I care about the plot." Because one element of an imaginary narrative deliberately invented for entertainment is naturally MORE WORTHY than another. Because emotional arcs are unaffected by who ends up with who. (Because all shipping is indeed about who ends up with who, and all any shipper wants is for any ship she ships to get married and have babies. Because she couldn't possibly have other desires, or contradictory desires, or no desires but simply an enjoyment of a dynamic. Or if she does desire them to get married and have babies, that's just unforgivably boring/childish/silly[/girly].) Because relationships are unrelated to characterization. (Because relationships are not part of a plot?) Because the only real question of a children's fantasy series is whether the cartoonish bad guy will be defeated, not how the abused and emotionally starved hero will reach a state of healing.
And there is my newer favorite, championed heartily by certain factions of the Terminator: Sarah Connor Chronicles fandom and Doctor Who fandom. Which is even better because now it's not just that your narrative priorities are bad and you should feel bad, but you're actually MAKING IT UP. (Again, because making shit up in fandom would certainly be unheard of and immorally stupid.) Oh, you deluded little fanpoodles/twits/teenies/GIRLS. Sure it's canon that she just unequivocally declared her love for him, sure it's canon that she takes off clothing before going to lie down on his bed with him, and sure, the blocking of this scene deliberately mirrors SEX, but for you to infer any subtext from the myriad incidents and character choices stemming from them is laughable and wrong! Also the thing from above about how you probably just don't understand the ramifications of string theory and time travel and are caring about the wrong thing! And DW fandom, well, it's just the tip of the doing it wrong iceberg, but let us all agree on one thing and that is that Amy Pond getting extreme enjoyment out of watching the Doctor undress, of having made her boyfriend roleplay as the Doctor, of skipping out on her wedding to be with him, should obviously be taken in the most gen way possible. Which, although I am not actually certain what that gen way is, is doubtlessly super duper unambiguously gen.
Oh, and clearly, there is no way a fan could possibly be interested or invested in multiple elements of a narrative, because it is a zero sum game, and did we cover yet how wrong/immature/stupid/emotional/entitled[/probably girly] you are?
Now, sarcasm time is over. And let me tell you: I am not that easily shamed a person! I own my sense of entitlement to engage with a text (a TEXT, which does not have feelings, which supports multiple interpretations) any old way I want. And to that end I have long since heavily filtered my fannish experience to minimize my contact with Fandom Establishments (such as hublike comms and forums) and their opinions. So, in some ways, this is not that big a problem for me. It's really just an annoying fact of existence, much like the Tea Party and people who make fun of little dogs. I cannot "leave fandom" because I am unavoidably a fan and part of that is enjoying interaction with other fans, but I can certainly go to the fringes and conduct my fandom with individuals who, whether we agree on anything or not, I don't find to be pompous superior assholes. (I recommend it!) I am not twenty anymore; I don't need to engage with jerks or jerkish communities; I do very much need to conserve my energy. So I'm not even sure why I expended the energy here.
But I have been seeing it going around again, and it raises my hackles, and I guess I am just ... still tired of it! Still sick of your shit! There is no fucking one right way to be a fan. To watch a show. To engage with a narrative. Brainless shippers are not unlike those other ghouls of jerk-ass fandom, "real fans" and "haters": all pretty much your projections on how other people should react to a story. (I'm thinking a word, it begins with an E...) And which, by the way, was created by real people with the real purpose of sparking emotional reactions. Who are as responsible for their subtext as their text. Whose intentions beyond what shows up on the screen or page don't mean much to me, but if they matter to you like you frequently claim they do (because how often are the ship shamers the ones who call themselves canon thumpers and accuse everyone else of being entitled and ungrateful to the creator? A LOT OFTEN is the answer), maybe you should give them an actual non-pick-and-choosing listen because quite fucking rarely are the people in charge of these stories ashamed or unaware of the fact that their stories contain shippiness.
Now, I don't want to pull a These Jerks and tell them they're all Doing It Wrong. After all, my whole point is that without diversity of opinion and behavior and creation and engagement, there would be no fandom. And then who would talk with me about the mechanics of time travel AND hot time travelers doin' it? So I'm not gonna be a hypocrite and say that. I'm just going to think it really loudly.
Ship-shaming (and the larger issue of You're Watching It Wrong) comes in many forms. Serious/true/adult/smart/rightheaded/unentitled[/ungirly?] fans don't ship, or ship contrarily to canon. As we proceed please watch out for falling blocks of sarcastic rage.
There was my favorite in Harry Potter and later Battlestar Galactica fandoms: "I don't care who ends up with who because I care about the plot." Because one element of an imaginary narrative deliberately invented for entertainment is naturally MORE WORTHY than another. Because emotional arcs are unaffected by who ends up with who. (Because all shipping is indeed about who ends up with who, and all any shipper wants is for any ship she ships to get married and have babies. Because she couldn't possibly have other desires, or contradictory desires, or no desires but simply an enjoyment of a dynamic. Or if she does desire them to get married and have babies, that's just unforgivably boring/childish/silly[/girly].) Because relationships are unrelated to characterization. (Because relationships are not part of a plot?) Because the only real question of a children's fantasy series is whether the cartoonish bad guy will be defeated, not how the abused and emotionally starved hero will reach a state of healing.
And there is my newer favorite, championed heartily by certain factions of the Terminator: Sarah Connor Chronicles fandom and Doctor Who fandom. Which is even better because now it's not just that your narrative priorities are bad and you should feel bad, but you're actually MAKING IT UP. (Again, because making shit up in fandom would certainly be unheard of and immorally stupid.) Oh, you deluded little fanpoodles/twits/teenies/GIRLS. Sure it's canon that she just unequivocally declared her love for him, sure it's canon that she takes off clothing before going to lie down on his bed with him, and sure, the blocking of this scene deliberately mirrors SEX, but for you to infer any subtext from the myriad incidents and character choices stemming from them is laughable and wrong! Also the thing from above about how you probably just don't understand the ramifications of string theory and time travel and are caring about the wrong thing! And DW fandom, well, it's just the tip of the doing it wrong iceberg, but let us all agree on one thing and that is that Amy Pond getting extreme enjoyment out of watching the Doctor undress, of having made her boyfriend roleplay as the Doctor, of skipping out on her wedding to be with him, should obviously be taken in the most gen way possible. Which, although I am not actually certain what that gen way is, is doubtlessly super duper unambiguously gen.
Oh, and clearly, there is no way a fan could possibly be interested or invested in multiple elements of a narrative, because it is a zero sum game, and did we cover yet how wrong/immature/stupid/emotional/entitled[/probably girly] you are?
Now, sarcasm time is over. And let me tell you: I am not that easily shamed a person! I own my sense of entitlement to engage with a text (a TEXT, which does not have feelings, which supports multiple interpretations) any old way I want. And to that end I have long since heavily filtered my fannish experience to minimize my contact with Fandom Establishments (such as hublike comms and forums) and their opinions. So, in some ways, this is not that big a problem for me. It's really just an annoying fact of existence, much like the Tea Party and people who make fun of little dogs. I cannot "leave fandom" because I am unavoidably a fan and part of that is enjoying interaction with other fans, but I can certainly go to the fringes and conduct my fandom with individuals who, whether we agree on anything or not, I don't find to be pompous superior assholes. (I recommend it!) I am not twenty anymore; I don't need to engage with jerks or jerkish communities; I do very much need to conserve my energy. So I'm not even sure why I expended the energy here.
But I have been seeing it going around again, and it raises my hackles, and I guess I am just ... still tired of it! Still sick of your shit! There is no fucking one right way to be a fan. To watch a show. To engage with a narrative. Brainless shippers are not unlike those other ghouls of jerk-ass fandom, "real fans" and "haters": all pretty much your projections on how other people should react to a story. (I'm thinking a word, it begins with an E...) And which, by the way, was created by real people with the real purpose of sparking emotional reactions. Who are as responsible for their subtext as their text. Whose intentions beyond what shows up on the screen or page don't mean much to me, but if they matter to you like you frequently claim they do (because how often are the ship shamers the ones who call themselves canon thumpers and accuse everyone else of being entitled and ungrateful to the creator? A LOT OFTEN is the answer), maybe you should give them an actual non-pick-and-choosing listen because quite fucking rarely are the people in charge of these stories ashamed or unaware of the fact that their stories contain shippiness.
Now, I don't want to pull a These Jerks and tell them they're all Doing It Wrong. After all, my whole point is that without diversity of opinion and behavior and creation and engagement, there would be no fandom. And then who would talk with me about the mechanics of time travel AND hot time travelers doin' it? So I'm not gonna be a hypocrite and say that. I'm just going to think it really loudly.
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ETA: I did post the post with the link, but it's locked, so I hope it doesn't bring a wave of wank crashing down.
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Gen is great, but it is definitely not more supported by the text here, and if it was, it wouldn't make shipping a bad thing, because shipping is, like fanfic, a hoax and an imaginary story! And that is FINE.
(And of course in a show with two pretty boys to ship, then you're doing it wrong if you give a shit about gen at all, but that is another story.)
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(I leave the slasher-poking to the younger and more incendiary; I did far too much of that in my younger, unwiser days. But it is quite the other story indeed.)
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I'm not sure if Ellison and Jesse and Riley even got enough attention to have haters. I tend to judge a fandom's interests, when I don't have their words, by the icons they make, and found about ten total of all three of them. >:(
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RRRRGH.
people roaring over Cameron
srsly, fans? SRSLY?
sometimes the gendering of fannish inferiority went the other way, because obviously only heterosexual fanboys could love a sexy lady robot
*slaps forehead*
Sadly, with respect to episode reviews I did find that referred to Ellison, Jesse, or Riley in any detail, most of those reviews went like this:
ELLISON: boring, stoopid, should totally die / should have died, waste of narrative space
JESSE: boring, probably EVOL, SHOULD DIE she's getting in the way of DEREK/SARAH OTP!!1, crazy BITCH, EVOL, one-dimensional waste of narrative space. Who, according to most of fandom I've seen have an opinion on her, irrationally hates everyone and everything and she can't catch a break even in most fanfic AUs. My soul died a little when I saw one of the writers on the official writers' blog refer to her as Evil Jesse in their post - if even they didn't think she was much more than that, how could I hope for more from other people?
RILEY: boring, whiny ENTITLED BITCH, SHOULD DIE she's getting in the way of JOHN/CAMERON OTP!!1, treacherous BITCH, FAT BITCH, waste of narrative space. It made me sad when I read Levin Ramblin's goodbye post to the show and it referred to how fans kept calling her fat and how disliked the character had largely been throughout Riley's character arc, because it confirmed stuff I had already seen in episode reviews. On the other hand, I think some of those fans came around to admire Riley with her final episode, even as they kept on deploring Jesse as one-dimensional evil bitch.
I tend to judge a fandom's interests, when I don't have their words, by the icons they make, and found about ten total of all three of them. >:(
Yeah, I had to look reeeeally hard for icons of them - now that the show's over, a few more are popping up in icontests and so on, but still very disproportionately to their respective amounts of screen time. >:(
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Oy. And I love Linda's Sarah too, but -- There was this one comm called, I think, Sarah Connor Charm School? Devoted to "physical feminism" as defined by Linda being tough and muscular in T2, upon which principle Lena Headey was weak and horrible and destroyed everything Linda had ever done. Which, MASSIVE INTERNALIZED MISOGYNY aside, and basic misunderstanding of the concept of sequels/reboots aside, also fails to take into account the fact that Linda Hamilton was more or less tortured by James Cameron for over a year to reach the state she was in for T2. SO FEMINIST, JC
I should really write that Jesse/Riley story I've been wanting for a year, eh.
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Me too!
There was this one comm called, I think, Sarah Connor Charm School? Devoted to "physical feminism" as defined by Linda being tough and muscular in T2, upon which principle Lena Headey was weak and horrible and destroyed everything Linda had ever done. Which, MASSIVE INTERNALIZED MISOGYNY aside, and basic misunderstanding of the concept of sequels/reboots aside, also fails to take into account the fact that Linda Hamilton was more or less tortured by James Cameron for over a year to reach the state she was in for T2. SO FEMINIST, JC
D: ... there is nothing I could say about that that you haven't already covered. Sometimes, I hate fandom. Also James Cameron.
I should really write that Jesse/Riley story I've been wanting for a year, eh.
I would be ONE HUNDRED PERCENT behind that.